This blog is focused on continued improv education… technique and critique. Understudies, students and current performers are encouraged to used this blog as an assistant in training, leaning and growing in improv. We will try to make the content both entertaining and informative. Please feel out the form on the right with any specific question… and you are encouraged to comment and elaborate in then comment section.
Enjoy the reading!
Over the years, friends, reporters, patrons and students have asked me “Who are your favorite comedians?” So I thought I’d share with you, my Top 10 comedic “GREATS” of all-time – the ones that inspire me, each for different reasons – but they all have one thing in common – Clean Comedy:
- Carol Burnett – quite possibly the strongest comedian hands down!! From her variety of characters to her deadpan delivery
- Tim Conway – his responses to everything, his comedic timing was flawless. and most importantly his PTC Integrity award recipient for life long clean comedy.
- Bob Newhart – dry, straight forward and proof that comedy is a serious business
- Dick Van Dyke – his physical comedy, facial reactions and he “has fun” with all he does
- Red Skelton – his wide variety of characters and facial reactions
- Bob Hope - every stand up performances in his USO tours is better than any stand up comic today
- Lucille Ball - her delivery, her facial expressions and emotional reactions
- Laurel & Hardy – true “straight man / funny man” team… the masters of slapstick and the use of silence
- The Marx Brothers – The use of their other talents to compliment their funny (singing, dancing, musical instruments)
- Bill Cosby – his clean stand up career, his “everyday people” style, and family values he incorporates
and although he missed the mark on “clean comedy” I must give recognition to Robin Williams – quite possibly the fastest comedic brain EVER… his mouth cannot keep up with his ideas.
When I tell my students to study comedic actors, I tell them to avoid MANY of the comedians of today. If they want TRUE comedic genius – watch any of the above list… they understood “why” audiences laughed. There was no “shock” value in their work. They understood what it meant to set up a joke, set up your partner for a punchline, etc.
I may also say that this list is just the list for the clean comedians that inspire me. I have a separate list that includes more recent greats like Dan Ackroyd, Steve Martin, Bill Murray, Chevy Chase, Monty Python, Jerry Seinfeld, Jim Gaffigan, etc. etc. – the list goes on and on and includes more recent comedians. That list will be made another day.
Who inspires you? Who are your favorite comedians? and WHY?? Go to our facebook page and give us your list!!
We had our first Improv Camp of the summer
and oh man, did we have a BLAST!
Youth (ages 10-17) from all over the Valley
came ready to have a great time &
JesterZ Improv was prepared to make that happen!
The week long camp focused on the fundamentals of improv
and was packed with games and exercises
to get these young adults more comfortable on stage
and collaborating as a group.
Some kids came with experience while others
had never even been on a stage before,
but by the end of camp you’d never be able to guess which was which!
The youth worked in pairs and groups to practice improv basics like:
validating your partner’s ideas while also contributing your ideas
responding honestly to what is said to you
instead of thinking of what you’ll say next
basing scenes on exploring different relationships
rather than “stuff and things”
Each of these prepares them not only to be successful in scenes,
but also in real life!
They also learned to push the boundaries of their own creativity,
maximizing their skill set while stepping outside of their comfort zone.
Many of the teens were surprised to find they were
able to morph into different characters
and adapt to various settings more successfully than they imagined!
The teens had a blast playing with props and
learning to think outside the box!
We were constantly amazed with the ideas they were able to come up with!
They’re so smart and funny!
Everyday we created a safe place for creativity,
where no one was allowed to judge each other so that everyone
was allowed to have the most fun they possibly could.
The teens were so receptive to showing respect for one another
and the support they learned to show each other
on and off stage was truly inspiring!
On the last day of camp, we had a showcase for all the parents
to come, kick back and be amazed at their kids’ genius!
The teens learned how to perform in a standard improv show
in front of an audience and the show was a hit! Nonstop laughs!
With a different mix of learning, creating, playing and performing everyday,
we didn’t let these kids have one second of boredom!
We couldn’t be prouder of how they excelled in only one week of training!
SIGN UP FOR THE JULY TEEN IMPROV SUMMER CAMP HERE!
July 8-12, 2013
Author: Preston Smith
When people hear I do improv the expect me to be much funnier they I actually am. Recently, I was told by a group that I presented to that I was not nearly as funny as they had hoped… they announced prior to my presentation that I do improv (thanks, right?).
The truth is, improv is a team sport, It is hard for me to do improv on my own, I need other people. The pinnacle of improv group performance is referred to as group mind. It is hard to explain what group mind is, but every improvisor that has achieved it, they know what it feels like. It is a lot like being able to finish your best friends sentence.
Group mind is best achieved through, listening and agreement. If you are listening, your will understand and know what needs to happen next in a scene. If you are agreeing, you are able to accept what needs to happen in a scene and provide the important information to make it happen.
Author: Preston Smith
Ask yourself at the beginning of every scene:
Who is this person to me?
How do I feel about them?
Asking yourself these questions will help you focus on the emotion and relationship of the scene.
Author: Preston Smith
Be honest and real. If something that is said in a scene shocks you, say it, act shocked. If something in the scene makes you sad, act sad… don’t ignore those natural impulses that hit you in a scene.
If you are “in character” and emotionally invested in the scene… natural reactions will keep the reality of the scene and will help you find the funny, not force the funny.
Author: Michael Yichao
When in doubt, say “I love you.”
This is true in marriages and improv scenes. (Well, really, I can only speak from experience on one of those two subjects, but still.)
It all comes down to the relationship.
Whenever I’m uncertain what to say or do next, I make eye contact with my partner and tell them as honestly as possible how I feel in the moment — about them, about our surroundings, about whatever’s been established so far.
The thing is, it doesn’t matter if you’re playing brother and sister fighting over your messy room, or a married couple on vacation, or monkeys stealing rifles from a safari expedition. (That last scene happens more often than you think.) Ultimately, it isn’t about the stuff and things that are happening, or the crazy antics you are doing — it’s about the relationship of the characters.
How you feel about each other. How you know each other. The interaction, the struggle, the connection between you and the other human being there with you. Believe it or not, that’s the secret and the difference between an okay moment and an amazing one.
Doesn’t matter the games you play. Doesn’t matter the length of the scene. People are interested in how people relate to other people. It’s what every great play in history is built on. It’s what every great improv scene is built on.
And it’s also what good relationships are built on.
Author: Preston Smith
A lot of the time an improvisor will spend so much time trying to create funny moments in scenes. This generally ends badly, with a joke or some forced epitaph that is completely unrelated to what is happening in a scene.
Every time I teach a class of new students or an intro class, I always ask them if they can tell me the funniest moment of their life, I usually give them a few minutes to think about it (the suck ups always tell me it was this or that Jester’Z Show, which I appreciate but I know they are lying). Inevitably the funniest moments in an individual’s life is surrounded by friends and family when something just happens. Funny. Just. Happens.
Del Close and Keith Johnstone understood this principal.
“The best laughs are on the recognition of truth.” – Keith Johnstone
“The truth is funny. Honest discovery, observation, and reaction is better than contrived invention.” – Del Close
Stop worrying about being funny and just be in the moment, the funny will take care of itself.
Author: Preston Smith
A scene is not a complicated thing or, at least it shouldn’t be. When you enter a scene, with in the first 30 seconds you should have everything you need to have a great scene. Accepting the reality that has been created is absolutely important to having a good scene.
Not only what is happening in a scene but also, who you are in the scene. Accepting who you are in a scene is much different then forcing your character on a scene. For example, if someone says to you in a scene; “You dirty rotten bum, I can’t believe you would steal from me.” You know two things, 1. You are a dirty rotten bum and 2. you stole from your scene partner. You natural tendency will be to deny that you are a dirty rotten bum because who wants to be a dirty rotten bum? Well, let me clue you in on something, just because you play a dirty rotten bum in a scene, doesn’t actually mean you are one in real life. Accept the gifts that you are given as reality and run with it.
Recently we were doing some exercises that focused on this, one scene partner entered a scene and the other scene partner was suppose to totally support that the other person brought to the scene. My scene partner entered the scene are said, “Hey chief, we need to get this engine working again.” I responded in my best indian accent because after all, I was called chief.
This is the moment…
Improv consists of short scenes… even long-form improv consists of relatively short scenes (when compared to one life time). Each short scene is a moment in which players enter the stage and plays out a short snippet of another person’s life. The character you are playing lived before you played them and they’ll live on after you are done with the stage (in most cases).
The key is to make this a pivotal moment in the characters life. If your character has been picked on at school for years… this is the moment they stand up to that. If a husband and wife have been avoiding fighting about something for years, this is the moment that the fight reaches an apex.
An improv scene is not the time for avoidance… take scene themes and dialogue head on and make THIS a powerful moment in your characters life.
The idea that you have to be funny to be in improv is absurd and one of the most misunderstood aspects of improv.
You don’t have to be funny… in fact it is best if you aren’t funny, or at least don’t try to be funny.
Why don’t you want to be funny…
The joke is one of the most abhorred things in improv, it is cheap, easy and often used at the expense of other performers and at the cost of the scene.
A joke is most often a anecdote that is unrelated to the scene that pulls focus from what the scene is actually about.
Avoid the joke by staying in the reality of the scene and following the principles of improv, agreement, listening, character and emotion.